Across the Border: Anti-Nationalism and Radical Translation of Early Medieval Texts in Contemporary Poetry [Paper No: 1610-b]
Architectures of Engagement: Storyworld Experience Design from Medieval Immersion to Digital Games [Paper No: 1238-d]
Aural Taxis: Sound and Hierarchy in Byzantine Ceremonies, 9th-13th Centuries [Paper No: 1718-b]
Behind Lady Justice's Book and Sword: Emotion(s) in the Scene of Law [Paper No: 702-c]
Between History and Myth: Staging the Christian Conquest of the Balearic Islands [Paper No: 218-b]
From Image to Sound: Interpreting the Unknown in the Making of Medieval Musical Instruments [Paper No: 1618-a]
Juana de la Cruz (1481-1534): Sexuality and Sanctity [Paper No: 339-c]
Mapping the Boundaries of Sacred and Secular in Gautier de Coinci's Performance Persona [Paper No: 1318-c]
Marian Devotion in Aveiro: Words, Music, and Images, 15th-16th Centuries [Paper No: 240-b]
'Ok þá kvað hann vísu' ('And then he spoke a verse'): Prosimetrum and the Borderline between Performance and Reception History in Old Norse Kings' Sagas [Paper No: 1038-a]
Same Planet, Different Worlds: Crossing the Boundary from Participating in to Codification of the Carolingian Court in the Poetry of Ermoldus Nigellus, c. 826 [Paper No: 1613-b]
'Sounding Different' in Medieval Wales According to Its Poets [Paper No: 1518-b]
Staging War and Victory: The Battle-Tournament of Amboise, 1518 [Paper No: 842-c]
Tales and Images of Abbey Foundations in Chronicles of the Anglo-Norman Realm: Material Transfers and Spiritual Communion between Grandees and Cloistered Men and Women [Paper No: 1318-b]