Institute for Medieval Studies
IMC 2022 Session
Session | 1612 |
Title | Salvaging Crete: Preserving the Legacy of the Artist Ioannis Pagomenos |
Date/Time | Thursday 7 July 2022: 11.15-12.45 |
Sponsor | Mary Jaharis Center for Byzantine Art & Culture |
Organiser | Naomi Ruth Pitamber, School of Art & Design, Eastern Michigan University, Ypsilanti |
Moderator/Chair | Justine M. Andrews, Institute for Medieval Studies, University of New Mexico |
Paper 1612-a | Tracing Rural Lifeways: Sacred Spaces and Their Environments at the Centre and Periphery of Cretan Villages (Language: English) Naomi Ruth Pitamber, School of Art & Design, Eastern Michigan University, Ypsilanti Index Terms: Archaeology - Sites; Architecture - Religious; Byzantine Studies; Geography and Settlement Studies |
Paper 1612-b | A Byzantine Artist, Named and Known: The Painter Ioannis Pagomenos on the Cusp of Early Modernity (Language: English) Cristina Stancioiu, Department of Art & Art History, College of William & Mary, Virginia Index Terms: Art History - General; Art History - Painting; Byzantine Studies; Local History |
Paper 1612-c | Byzantine Heritage Transcending Borders: Alliances and Ethics for the Cosmopolitan Management of the Remains of the Past (Language: English) Helen Human, College of Arts & Sciences, Washington University in St Louis Index Terms: Anthropology; Archaeology - Sites; Byzantine Studies; Local History |
Abstract | The Salvaging Crete Project (https://sites.wustl.edu/salvagingcrete/) documents eight 14th-century Byzantine chapels attributed to Ioannis Pagomenos. This interdisciplinary panel considers the ways these sites challenge our thinking about borders in time and space. Taking up the dichotomies of local-global, centre-periphery, and medieval-modern, these papers explore how the chapels enhance our understanding of the complex transition from the medieval to modern period in the Mediterranean; how they provide an unparalleled vantage into rural life at the core and margins; and how they demonstrate the alliances crosscutting global, national, and local categories to preserve heritage at risk. |