Session603
TitleHorses in Art: The Familiar and the Alien
Date/TimeTuesday 4 July 2017: 11.15-12.45
 
OrganiserEdgar Rops, Independent Scholar, Riga
 
Moderator/ChairAnastasija Ropa, Department of Management & Communication Science, Latvian Academy of Sport Education, Riga
 
RespondentAnnemarieke Willemsen, Rijksmuseum van Oudheden, Leiden
 
Paper 603-a The (Galloway) Horse and His Boy: Le roman des aventures de Fregus and 'The best breed in the north?'
(Language: English)
Miriam Bibby, School of Interdisciplinary Studies, University of Glasgow
Index Terms: Folk Studies; Language and Literature - French or Occitan; Local History
Paper 603-b Medieval Harnessing: Interpreting the Images
(Language: English)
Gail Brownrigg, Independent Scholar, Dorking
Index Terms: Archaeology - General; Art History - General; Technology
 
AbstractHorses, omnipresent in the medieval life, make a frequent appearance in medieval art in a variety of forms and guises, referring the viewer to the familiar realities or carrying him or her to the realms of fantasy and alterity. Likewise, the connotations of equines and equestrians differs: from the metaphoric and symbolic to the purely practical, the interaction between horses and humans in visual media channels a variety of meanings. The papers presented in this thematic session on horses in medieval art study the representation of equines in various physical contexts: on tapestries and frescoes, as well as manuscripts.