Session1618
TitleBorders of Sound, II: Recreating the Musical Gestures and the Artistic Heritage Space
Date/TimeThursday 7 July 2022: 11.15-12.45
 
OrganiserJulien Ferrando, Perception Représentations Image Son Musique (PRISM - UMR 6071), Aix-Marseille Université / Centre National de la Recherche Scientifique (CNRS)
Marie-Emmanuelle Torres, Laboratoire d'archéologie médiévale et moderne en Méditerranée (LA3M - UMR 7298), Aix-Marseille Université / CNRS, Paris
 
Moderator/ChairVincent Debiais, Centre de recherches historiques (CRH - UMR 8558), École des hautes études en sciences sociales / Centre National de la Recherche Scientifique (CNRS), Paris
Marie-Emmanuelle Torres, Laboratoire d'archéologie médiévale et moderne en Méditerranée (LA3M - UMR 7298), Aix-Marseille Université / CNRS, Paris
 
Paper 1618-a From Image to Sound: Interpreting the Unknown in the Making of Medieval Musical Instruments
(Language: English)
Clément Antoine Frouin, Centre d'Études Médiévales de Montpellier (CEMM - EA 4583), Université Paul-Valéry Montpellier 3
Index Terms: Manuscripts and Palaeography; Music; Performance Arts - General
Paper 1618-b Sacred Sound, Sacred Space: In Search of Lost Sound via Virtual Acoustic-Visual Reconstruction of Sacred Spaces of the Middle Ages
(Language: English)
Stefan Morent, Musikwissenschaftliches Institut, Eberhard Karls Universität Tübingen
Index Terms: Architecture - Religious; Computing in Medieval Studies; Manuscripts and Palaeography; Music
 
AbstractThe objective of this session is to open the reflection towards the questions of experimentation around the heritage document, at the same time trace of the musical gesture and place of musical production, of an immersive virtual reconstitution. Immersion, like reconstitution, allows us to go beyond the usual frameworks of production and to create new situations of listening and practice of the musical gesture by exploring a space situated between recreation, restitution, and experimentation.